By Jon P


This album is from the chef himself (not Raekwon) but a chef in his own right repping that new school era hip-hop from New York. He is Action Bronson (“The fat chef”). This happens to be his third studio album, so you should know he has been around for a while now. He named this one Mr Wonderful because that according to him is the way he feels about himself right now. Let us see if he delivers.

Brand New Car

It’s the first time ever
Yo fuck this jacket, I turn this shit to 85 napkins
Since Jeter’s done I’m now the captain
Trust you me, Gotham’s safer now
But there’s always a new joker in town
Ready to smoke you with that pound
But when he shoots it, the flag says “BANG!” and everybody laughs

This is just one of those really good intros though it’s short, it gives an idea of what to expect on this album. It’s not about anything in particular, he was just showing off a bit of who he is on this.

The Rising (ft. Big Body Des)

But I’m gorgeous, got money in the pouch just like a tourist
Swerve in a Skylark, big piece of the pie chart
Bitch this is fine art, I gets my shine on
You lyin’, dog, you never even put the iron on

Now this is a good example of who Bronson is, the food references were good, I must say. The beat is very instrumental, it’s on some Jazz/Blues kinda vibe and he just flows so well on this. I didn’t particularly like the mix, I thought the beat kinda overshadowed his voice, still a good jam regardless.


I’m in a hurry, dumb jewelry
The verdict read from a hung jury
The doctor said that I was hung early
Skull curly, Larry, and Moe, I’ll marry a ho
Only if the bitch look like Mari’ Monroe

This is one of those relationship songs or songs relating to the heart, you can sort of tell from the tone of his voice. There is some really nice word play on this one and the beat was done by Alchemist. This happens to be his favorite off the album. It’s a good one but definitely not my favorite.

Actin’ Crazy

All my life I was a fuck-up, now I pull the truck up
Same bitch stuck up, now she wanna suck us
See me hangin’ out the window, screamin’, “What, what?!”
No more tough luck, a different cloth is what I’m cut from

Drake’s producer produced this track and when is started out, it almost felt like a drake moment about to happen (the horror mhen!).


But that didn’t happen (thank goodness). The beat does actually sound like something Drake would rap to but Bronson seized this one and made it his. From the first few lines of this track, you just knew he had it.

Falconry (ft. Meyhem Lauren & Big Body Des)

Dog, I was born with Allah’s vision
I learned quick I couldn’t follow suit
Cause the Devil put the pork inside the dollar soup

This right here feels like a really dope freestyle, almost like he just jumped on a beat that he liked and just went for it. I wouldn’t say he went H.A.M on this but he murked the beat and this track has a really nice feature on it as well.


Thug Love Story 2017 the Musical (Interlude)

She can never be yours, a housewife. you see
She belongs to the ghetto, my friend
She doesn’t belong to you or me”

Yeah it says “interlude” so I’ll skip this and plus he didn’t rap on this, it was just some homeless dude singing basically.

City Boy Blues (ft. Chauncy Sherod)

I’ve given my life to a stranger, that sleeps by my side at night
Look in her eyes, I see danger, and man is this shinning bright

The first time I heard this track, I would have forgiven him if he didn’t say a single word on this. The music on this is just pure bliss. It has this whole upbeat blues thing going on. This track is solely about the music to me because the music clearly overshadows his voice on this. He sang on this one because this kinda track is not something that you would rap to.

A Light in the Addict (ft. Party Supplies & Black Atlass)

Have a fuckin’ sleepover with my weapons
My Rambo knife is eatin’ nuggets with my Smith and Wesson
Shit, I made this out of nothin’
Damn, these ladies love me out in London
Laurenivici served the granulated onion
My mind is locked in a contaminated dungeon

This track right here was almost a snooze, it took over a minute for it to kick off. But then I think that was the plan because it’s a sort of drastic transition from the previous track. This one is a more slow laid back track. This has a more slow downbeat blues vibe to it. It’s still about the music here as well but he might not quite get away with it as with the previous track.

Baby Blue (ft. Chance the Rapper)

Girl, we grown, stop playing on my phone, baby
All your childish attempts to make me angry fall short
Which only fuels the rage you have, because you have nothing
Understandable, I’m shining brilliant with 5 Brazilians
There were times I used to hide my feelings
Now I’m butt naked in the Lamborghini
And motherfuckers can’t see me

Matters of the heart once again. I do have to say that his approach to the issues is epic. The best part of this is Chance the rapper’s verse on this. It was blunt as hell and so comedic.

Only in America (ft. Party Supplies)

Anywhere I go, you know you’re goin’ with me
Bobby and Whitney without the sniffin’
Dog your bitch look like Eddie Griffin
I’m three wheelin’, keep the Chevy tippin’
Big bearded Buddha bangin’ bitches in Bermuda

The sound on this seems like some reference to a time when I wasn’t born or some TV show that I missed out on (probably the former). Another one where I didn’t enjoy the mix. But it still is a good addition on the album. I feel it would have been a good outro instead.


Galactic Love

Roy Rogers bathroom, sniffin’ coke with a model
Told her to Google me, shit I might paint the Cougar green
All this lechuga in my jeans
I still see Freddy Kruger in my dreams
Ain’t nothin’ moving but the cream
Shit, know I do it for team

I’m just gonna quote Action Bronson on this he almost took the words out of my mouth. ” This is a cool down. I’ve sent you through this crazy trip and we’re cooling down now. We’re cooling down for a magnificent ending. So I hit you with the [Action pantomimes a bass guitar]. You know, the crazy, beautiful, jazz bass line with the very light drums in the background and just hit you with the bars. I got my mother on the hook.”


The Passage (Live from Prague)

Oh Mr. Wonderful

This right here shouldn’t even be a track. It’s basically a live performance recording that has the crowd really chanting and anticipated for him to get on stage or after he just finished performing. “Oh Mr Wonderful”

Easy Rider

Live from the Expo, it’s me
I wear the wolf in the winter, steer the coupe from the center
Who gives a fuck, I’m a sinner
I had dreams of fuckin’ Keri Hilson in my Duncans
Woke up naked at the Hilton with a bitch that look like Seal’s cousin

Okay, I’ll admit, I was wrong. This deserves to be the outro easily. This sounds like the end of a western movie (by western I mean like a cow-boy movie). It’s just bars on bars on a really great sound. It’s a glorious end to a good album.


@OluwaJonpee: I’m going to be brief, this is one of those really good albums that you just know a lot of people will miss out on and not even bother to listen to it. If you’re reading this, don’t be one of them. This is a really good album. A- from me.

SlkLouis: i’m going to have to agree with Jon P on this one cos this is one of the few albums we’ve reviewed recently that i actually enjoyed after the first listen and one that i still enjoy till now. Bronsolino doesn’t even bother trying to change his formula at all as he uses the flow that made him famous along with the lines that are there just for you to laugh. The album feels like a live performance and while jamming it, i was just waiting for Bronson to throw a TV at me (if you have no idea what i’m talking about then look for a video of an Action Bronson performance).

2014-12-31 12.54.40



By Ladi


Mr. Wale Folarin has dropped another beautiful album. This is the fourth album from this artist. click here for a review of his previous album.  It features a few good artists.  The album about nothing should not be confused with his breakout mixtape about nothing which dropped in 2008.  The title of this album is in homage to Seinfeld which was referred to as the show about nothing because there was no end goal for the characters and stories were sometimes unconnected. The major difference between the mixtape and this is that while he had to use clips from the show on the mixtape, the album has Jerry Seinfeld live in the studio dropping words of wisdom (sometimes) to introduce the tracks.

  The intro about nothing

This here track has the usual wale instrumental on it. The fingers snapping, tambourine and the keyboard mainly reminiscent of the DMV go-go sound which he used when he first started. Also, the flow he uses here is that churchy flow.  The song talks about him being stressed about so many things.  The churchy flow like we mentioned before with the rhyming of consonant sounds.  The song didn’t have a very vivid imagery neither was it accessible.

The helium balloon

Here wale uses the balloon to describe artists in general and the listeners as the strings tied to dem balloons.   The rapper talks about how the string can be a fan and a proverbial hater at the same time. “They like you stuck with us, don’t let him fly…”  “..  Cos the same hand held you might cut you… “. He should know that the fans are a necessary evil tho. Without fans he’s not a musician, he can as well be a bathroom musician like every other Jon.

  The white shoes

This track talks about flossing at whatever cost; wearing the best, sneakers in this case.  “Say we can’t always be fly but we gon be good as long as we sneaker wise. “ the right flow with reasonable content.  We see him rhyming consonant sounds here again.

  The pessimist ft. J.Cole  

The word hopeless kept on coming up and here’s why.  The talks about a context where one is molded to build sturdy hope on a day to day meanwhile this hope can’t pay the bills so it’s rather useless. So why be so hopeful.  Hopefully, this is what Wale meant to share.  J. Cole did well on the hook and the song carries weight content wise.  Mature content.  Quite accessible with reasonably vivid imagery.

  The middle finger  

This track centers on all the unnecessary publicity stunts being pulled in the music industry and how he’s usually not interested in all that.  Fuck you, leave me alone… His words not mine.  Sincere lyrics.

  The one time in Houston    

This is a supposed love song.  Love these days is all shades of fucked up btw.  We hear wale here talking about how he loves and isn’t loved right back.

  The girls on drugs  

Almost self-explanatory.  It talks about our generation now really. Drugs and alcohol.  The ‘turn up’ generation. With specific fingers been pointed to the females “girls on drugs they still need love“.  “Let me tell you about the women I’ve been chilling with…  she ain’t shy when the liquor spill.. “ he describes the lot of them as void until filled with drugs.  Real content and is quite accessible. Wonderful imagery portrayed here too

The God smile

Briefly talks about how the hustle gon pay one day and Wale and his “niggas” will be are the top of the game.  We see the same creative play with consonants here “girls kissing me all out, Christian dior’d out“. . More importantly he’s saying hard work pays.  “Cos this game aint based on sympathy.”

  The need to know Ft SZA

Cool track right here. Sza did me proud here. She managed the hook properly.  Wale comes in to show us that rapping aint bout anger and mic wetting sessions.  Smooth flow, wonderful delivery and lovely concept for a song.  The song takes its concept from the way most long lasting relationships stay that way,  keep on the low as much as possible. I’m no Dr Phil but Ladi knows it works

  The success

This song talks about the hustle and how it distinguishes him from the rest. The song talks about how people are pushed to do wrong all to survive yo! Nothing more.

The glass egg

My newest of hobbies, collecting calls…. “. We’ve been seeing the consonant rhyme kinda rap since the beginning of this album and this song isn’t lacking.   This song majorly talks about friends keeping friends and staying true cos real friends are quite valuable.  “Although beautiful matrimony is a rap of balancing your women, your riches and at least half your hommies.”

The next three songs all talk about women and they are all beautiful songs.  If arranged right they kinda tell a story

The body ft. Jeremih

This is the courtship stage. Awesome track that appreciates the woman’s body by comparing to cars and stuff.  Jeremih probably entered the studio with a machete that day like I’m gonna murda this track with his rendition of R.Kelly’s you remind me of something“..You can tell I’m outta line like DUI.”

  The bloom (Ambitious Girls 3)

This song describes the “meet my parents phase”.

   The matrimony ft. Usher

The matrimony is the marriage stage.  Engagement in sight and stuff.  So he describes how he feels about weddings and promises a “happily ever after”.


Ladi:   The album about nothing features Jerry Seinfeld in these skits that were pretty fun to listen to.  Plus we see the usual Wale on here as the smooth and suave nigga. Compared to the last album this album is less playful with a lot of precise and mature content.  The collaborations were bomb too. Wonderful stuff.

Ladi gives it b-

Slklouis: This album sees Wale scrapping the formula of his recent albums and going back to the beginning to reconnect with his core fan base. He does this by cutting down on the club anthems, dialing back the thug talk, bringing back the go0go sound, getting more introspective and cutting out the unnecessary features. The Seinfeld intros became annoying to me at some point and it started to look like Wale was trying to force the song to fit the skit even where they had no business been with one another.


The inconsistency in tone of this album can be forgiven cos this is the album about nothing. Also, Wale is famous for his need for acceptance from others and this album is peppered with instances of him trying to find out why he isn’t as accepted as he thinks he should be. Even when he seems to say that he doesn’t seem to care what people think about him (e.g. The Middle Finger), he forgets that stance by the time the next track comes around. While this distracted me from really enjoying the album at times, I have gotten so used to it by now that it didn’t really matter in the end, I’ll have to agree with Ladi’s rating of B-.

2014-12-31 12.51.13